Dinah Laurel Lance (
raptorcanaria) wrote2013-04-22 09:20 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
Labyrinth
Here's the thing about Milliways: It's not the Real World. Dinah has a very clear delineation in her mind: there're things that happen in the bar, and there are things that happen at home, and even if people visit from one to the other, they're very different places.
Justice League, supervillains, Oliver. Those things don't follow her in. Which is good and bad, because it becomes a place to escape. And escape becomes too safe, somewhere where actual threats aren't real. That's the problem with the place. It's not home, and it doesn't touch home, and if she wanted, she could stay in the bar, rent a room, and never have to worry about outside. And that's what's so dangerous.
Not that she's thinking of danger right now, even deep in the forest where there might be demon rabbits. She's just thinking of the run, and the exercise, and also where she wants to take Ollie for dinner tonight. That's how she manages to get lost.
And how she finds herself facing a rough hewn stone wall, with a door cut into it.
Dinah stands in front of it, stretching out her warm muscles, staring at the door. Has that always been here?
Justice League, supervillains, Oliver. Those things don't follow her in. Which is good and bad, because it becomes a place to escape. And escape becomes too safe, somewhere where actual threats aren't real. That's the problem with the place. It's not home, and it doesn't touch home, and if she wanted, she could stay in the bar, rent a room, and never have to worry about outside. And that's what's so dangerous.
Not that she's thinking of danger right now, even deep in the forest where there might be demon rabbits. She's just thinking of the run, and the exercise, and also where she wants to take Ollie for dinner tonight. That's how she manages to get lost.
And how she finds herself facing a rough hewn stone wall, with a door cut into it.
Dinah stands in front of it, stretching out her warm muscles, staring at the door. Has that always been here?
no subject
"You good?"
no subject
Without waiting for him, she turns upwards and grabs the top of the wall with her one good arm, flipping herself over as she goes so she lands on her feet.
no subject
"Lord, if you're listening, I will trade my right nut if it means we don't gotta do no more'a these walls."
Beat.
"You know. After I kick it. Not - asking you t'pluck it right now."
no subject
Then winces pops it back in, as if she's done it a dozen times before.
(Not quite that many.)
Just as she's doing that, the next set of walls open a set of holes like before with the flamethrowers only further apart. Except this time, it's an arrow that hits the ground right by Dinah's feet.
"Oh for heaven's sake!"
no subject
- well, let's just say he curses, reaches behind him, and breaks off the shaft, but he's not gonna get to sit until he gets the arrowhead removed.
"If there ain't a pot of Aztec gold at the end of all this," he shouts to the ceiling as he runs to the wall, climbing like he did before, "I'm gonna kick your ass!"
no subject
"Really? Arrows?" she yells at the room. "You know who my boyfriend is, right?"
She throws herself forward, flipping onto her good hand and over again, turning cartwheels between the flight of the arrows.
But she also heads towards the wall, and starts to climb.
no subject
- he feels really, really woozy. His head feels like it's been pumped full of helium and taken on a merry-go-round, his muscles feel like rubber, and his vision is- is-
- he closes his eyes and hits the deck with a CRUMP.
no subject
Dinah drops from her own climb and races over to him, reaching him just in time to roll him away from another arrow which tried to embed itself in his leg.
"Are you okay?" she says, peering down to check his eyes.
no subject
"My...ass...hurts."
no subject
Dinah rolls his towards her, to check the ass in question. "Poison, dammit. Tell me you have a knife on you."
no subject
no subject
She scoots back as the wall approaches, and reaches down under his pack, fumbling for the knife...
... which no sooner does she have in her hand but she whips it up and backwards, deflecting an arrow.
"Just breathe, Voodoo, you'll be okay."
Then she bends over him, holding the knife. "This is gonna hurt."
But she's going to have to cut the damn thing out.
no subject
His breaths are raspier, but he nods.
"Do it."
no subject
She pulls the arrowhead out with her fingers and presses down on the wound as soon as it's out.
"No time to dress," she tells him. "We've got to move."
no subject
He's slower, now. And the walls - they're coming closer.
no subject
"Keep going," she says. "Plenty of time." That's a lie, but as the opposite wall gets closer, the risk of another arrow hitting him gets greater, and she won't be able to pick him up again.
So it's time to stay level with him on the wall, grabbing on with her hands and kicking arrows out of the air.
no subject
"ThinkI'mgonnapuke," he rasps.
no subject
Except...
The last pair of walls are moving now, and they're doing it fast.
"No time," she says. "Run!"
no subject
Here's hoping the walls don't speed up.
no subject
"Come on," she says. "We can do it."
He's not going to make it at zombie shuffle.
no subject
"Stupid...fucking...rabbit," he rasps. They're almost at the door.
no subject
At 'almost,' she drops from under his arm, steps back and stands behind him, just enough to lean on him heavily and push him the final couple of feet towards the door. Then she leaps after him.
no subject
Shephard would likely pay double to see the way Voodoo scrambles to unbuckle his helmet and toss it aside before propping himself up on his elbows and-
-well. He hasn't eaten in a while, so there's no real chunky parts to it, and while it's nothing like out of Team America, it's...a couple hours' worth of bile?
He still has the presence of mind to not fall into said puke, mind.
no subject
They're still indoors, but the ceiling is no longer flat, instead forms a point around them with a bamboo lining. There are pillars either side of them holding up a raised walkway which hugs the wall. It's hard to gauge the shape of the area, in fact, because it's marked with archways and pillars and walkways with a red and gold theme.
In fact, Dinah thinks, it's sort of Japanese in style.
"Oh," she says. "Remember how you asked for ninja?"
no subject
It's not until he's strapped it on that he gets a good look at the room.
"...fuck."
He scrambles for his MP5.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)